ANNIE BIELSKI received a BFA from The School of the Art Institute of Chicago, and her MFA from the State University of New York at Buffalo. Exhibitions include RAW FOOTAGE, SEPTEMBER (Kinderhook, NY) Agita, Rachel Uffner Gallery (New York, NY); Strong Winds May Exist, SEPTEMBER (Hudson, NY); Loveland, SEPTEMBER (Hudson, NY); NADA (New York, NY); Bluets, Burning in Water (New York, NY); The Hardest Part is Just Gettin’ Here, Paris London Hong Kong (Chicago, IL); only to find, High Tide (Philadelphia, PA); a rose is a rose is a cave, Motel (Brooklyn, NY); Alongside:: D,A,K,A, Lodos, (Mexico City, Mexico); PICA’S TBA:16 with Dan Bunny/Bunnybrains, The Portland Institute of Contemporary Art (Portland, OR); Strutting, Fretting, UB Art Galleries at The University of Buffalo (Buffalo, NY); among others. Bielski has performed at SEPTEMBER, The Museum of Modern Art, Coustof Waxman, Allen & Eldridge, Rachel Uffner Gallery, CANADA, and elsewhere. She was the Artist in Residence at Basilica Back Gallery in 2018, and participated in 1-844-NOT-Z00M ARCHIVES, Vol. 2, at Virginia Commonwealth University in 2020. She has collaborated with the University at Buffalo and FORT MAKERS to create limited edition objects and prints, and has released three zines independently. Bielski has collaborated with musician Jenny Hval, performed across the US and Europe, and contributed album art and music video visuals to Hval’s 2022 album, Classic Objects. She has interviewed numerous artists for The Creative Independent, and is a contributor to the monograph Molly Zuckerman-Hartung: Comic Relief. Bielski’s work, performances, and writing have been covered by Art News, Hyperallergic, MTV, The New York Times, among others. Bielski has taught at The University of New Mexico, SUNY Buffalo, and The State University of New York at Albany, and currently lives and works in Upstate New York.
